Friday the 13th (1980)

GENERAL INFO:
Director: Sean S. Cunningham
Studios: Paramount Pictures
Starring: Adrienne King, Kevin Bacon, Betsy Palmer
Tagline: They Were Warned... They Are Doomed... And on Friday the 13th, Nothing Will Save Them.
MPAA Rating: R
Genre: horror, slasher, stalker, thriller, psychopath, serial killer, teen
Scare score: C+
Rating: A-

Plot overview: As the film begins, two adolescent counselors at Camp Crystal Lake are killed by an unseen murderer wielding a knife and a machete. The film continues in "present day" as a handful of teenagers make their way to Camp Crystal Lake, which is set to reopen despite past tragedies and local rumors, resulting in the townies referring to it as "Camp Blood." The counselors arrive on Friday the 13th, and on their first night they are stalked and murdered by an unseen killer until only one is left to fend for her life.

Ask somebody in America to think about teen slasher movies, or just show them a retro hockey mask, and they will think about the Friday the 13th franchise. These films might just be your most stereotypical, thought-about, and referenced staple horror movies, filled with plenty of teenagers behaving badly and some mysterious killer stalking them in the distance. To me, the character of Jason goes hand in hand with Michael Myers even more so than he does with Freddy, although the latter left his mark rather explicitly on the '80s despite recent remakes. I wish I could have been alive in the 1980s if only to rot my teeth with candy and popcorn while going to the movies to see the constant debuts of these now-retro horror flicks— the iconic masks, the wide array of weapons, and the horrible acting on behalf of the victims.

I was never a big Friday the 13th fan growing up as I was much more partial to Halloween. Last night, however, was the perfect night to re-watch this campy horror classic and really enjoy it for the first time. It's clear that this franchise wanted to soak up some of the success of Halloween, and to me that's really cool. They did their own, good* job, made a new horror menace, had your classic storyline, and left their mark on generations to come.

*I use 'good' here to mean the sort of good that comes from kind of bad things. You know? Anyway, let's get started.

This is a movie of wonderful contradictions. Throughout the whole thing there is a bizarre mix of awful script-writing with strangely natural, effortless acting, but there's also plenty of decent script with acting so bad that you want to pull your hair out. This really surprised me, especially the scenes where the varied ensemble (including Kevin Bacon and one of Bing Crosby's sons... like no big deal I guess) of teens are actually so casual that you think you're looking at candid home footage. These parts are contrasted by everything you imagine teen horror (especially from the '80s) to be: awful. To help the acting, some of the writing is really natural and even enjoyable— and then there are parts that you want to poke your own eyes out because the dialogue is so dumb. What a roller coaster ride with a strangely awesome outcome.

I think most people between the ages of 15 and 60 would at least recognize (although not necessarily know the source of) the "ki ki ki, ma ma ma" sound that this movie made so iconic. Also, I mean, it's clearly more of a "chi chi chi, ha ha ha" with a really guttural emphasis at the beginning of either sound, but movie scorer Harry Manfredini says otherwise. This movie gives us an eerie score (with parts sounding identical to Psycho by the end), with music building us up and making us ready for "bam" moments that rarely come.

The movie poster is awesome. I want it in my bedroom now. Enough said.

My favorite thing about Friday the 13th is how it was filmed. The first person point of view is normally just the cameraman, but in crucial moments it is also the killer— and the lines are often blurred. There are scenes in which we're meant to think we're seeing what the killer sees, and then it turns out that no one was there. I absolutely love that. Sure we've seen what it's like behind Michael Myers's mask (with the two dumb eyeholes, nobody actually sees like that), but we also usually see Michael himself. That's the other thing I love about this movie— killer wise, it does everything Halloween doesn't. We don't know who the killer is this entire film, and this mystery identity keeps us guessing and worrying. Also, where Halloween banks on the shots with the killer made just visible in the background—down the street, in a window, in the backyard (PS I love those shots)—in this movie we never see the killer. The best part is that we are so often set up to expect to see a shadow or silhouette, and we never do. All we ever see is a hand and the weapon. The first person makes this film much more suspenseful.

Next we have the question of the plot itself: this entire film is plausible— why shouldn't some teens left alone at a creepy camp out in the woods be stalked and murdered by some assailant? Nothing fantastic happens here except for the killer's insanely good aim with arrows, knives, and axes. This movie is scary because you're going to think about it the next time you go out camping with friends. So again, the whole movie, you're sitting there and thinking "Uh huh, this is going to happen to me (especially in West Jersey: yikes)"— and then the last ten minutes happen.

*SPOILER ALERT*

The last ten minutes of the movie leave us with questions that cannot be answered. Following a night of scaring and tragic events, why would you just float out into the middle of a lake in the dark on a canoe quite literally without a paddle? Why would Jason still be a boy? Why does Alice (King) suddenly believe that "he's still there" and why would he be a boy (you dope)? Why did the police show up blaring their lights to a camp even though there was no call for help or reason to think anything was wrong? And since when does a machete—which I could have sworn was a broken canoe paddle—cut clean through a neck and spine? While the shot of Jason jumping up out of the water made me jump a little, too, I wonder if the entire falling action of the movie was made purely to introduce Jason and set up the sequel. Still, I've read that the whole Jason sequence was dreamed up only to provide one final scare in the movie. Sell. Outs.

One of the best things about this movie is the mystery identity of the killer. This isn't Michael Myers, who we know is stalking and killing everybody in Illinois. Is it Crazy Ralph (Walt Gorney)? Is it the camp's owner, Steve Christy (Peter Brouwer)? After the commercial success of this franchise, everyone associates the movies with one thing: Jason. After all, it's all about him, isn't it? Well we return to this first film, and then we're not so sure. Because 21 years after an unnamed child drowns at Camp Crystal Lake, we think we're watching only slightly related events until the last ten minutes of the film when we finally hear the name 'Jason'— and meet his mother, Mrs. Voorhees (Palmer). I absolutely loved that the killer was a woman and a mother, and I loved that through her reverse-Psycho psychosis she provides her own M.O. by switching to "Kill her, mommy. Kill her." While that might be really easy to laugh at in a crowd, by yourself or with a small group it is a truly eerie touch of crazy. Mrs. Voorhees's pursuit of Alice at the end of the film was rather pathetic (I think she gets knocked down, but she gets up again a la Chumbawumba at least 5 times), with the suspense dragging on until ridiculousness climaxes with a decapitation that's so unpredictable we don't know if we can accept it. Then again, I guess the filmmakers didn't really care if we accepted it, because with at least 10 more sequels to follow, this is the highest-grossing horror film franchise of all time.

Final critique: While this is the slasher film franchise that set all the stereotypes, in and of itself it is not the most stereotypical movie. One one hand, we had something creepy, new, and different at the time of the film's release. On the other hand, this movie is pretty much the basis of my second cardinal rule. Characters are at times filled with real teenage emotion, but they are usually very flat with little delivery. Deaths are plentiful and while they are often suspenseful, they are not scary or interesting. Their random occurrences and their random discoveries, however, perhaps add more terror to the film than a movie boasting predictable deaths might have. All in all, this is a campy classic that I'm sure only gets worse as the franchise moves on. For the time being, I highly recommend this first film especially during the Halloween season or at any late night movie viewing. Be warned that there are some gorey scenes, but not too many real scares.

Halloween (2007)

Happy October. In the world of horror movies this is a pretty big month, so I'm going to try to make an effort to post pretty frequently. Unfortunately I won't be able to watch AMC's usually fantastic (but fading) Fear Fest—my favorite time of year —so I will have to rate whatever horror movies I can get my hands on. If you have access, I highly recommend Fear Fest, though what was once several weeks of terror, 24/7 has dwindled down to 2 weeks, and probably now less, filled with repeats of mainly mediocre thrillers. Regardless, watch it. It's a [trick or] treat.

Halloween may just be my favorite horror movie series, not to mention one of my top favorite movie franchises of all time. Growing up, I remember constantly watching as many of the films as I could whenever they were on TV. To this day I admit I'm still a little confused about the exact number of Halloween films total (I think we're at 10), but I can recommend almost all of them to horror movie watchers everywhere.

That being said, I've got a lot to say about this remake (sorry for not rating the original first), so hold on to your horror horses.

GENERAL INFO:

Director: Rob Zombie

Studios: The Weinstein Company, Alliance Films

Starring: Malcolm McDowell, Sheri Moon Zombie, Scout Taylor-Compton, Tyler Mane, Danielle Harris (!!)

Tagline: Evil Has A Destiny; Evil, Unmasked

MPAA Rating: R

Genre: horror, slasher, stalker, psychopath, serial killer, masked murderer

Scare score:  B+

Rating: A-

Plot overview: In this version, one Halloween night, 10-year-old Michael Mysers (Daeg Faerch) acts on his psychopathic desires and brutally murders the school bully, his sister's boyfriend, and his whole family except for his loving mother (Moon Zombie) and innocent baby sister. Claiming to be unaware of these crimes, Michael is nonetheless placed into a mental health institution where he is put under the careful watch of Dr. Samuel Loomis (McDowell). As his mental state steadily deteriorates, Michael's mother commits suicide, Loomis abandons the case, and Michael is considered hopeless. 15 years later, Michael (Mane) has grown into a very large and still dangerous inmate. On a particularly gory night approaching Halloween, Michael escapes and makes his way back to his home to find his baby sister and complete what he began so many years ago. Meanwhile, in Haddonfield, Illinois, Laurie Strode (Taylor-Compton) is a typical senior in high school. Typical, that is, until Halloween night comes around and she finds herself the target of "the boogeyman," the masked Michael Meyers himself. Before the night is through, Laurie must do anything she can to save her own life, including trying to end his.

I remember seeing this movie in theaters and enjoying it, even to the point where I was laughing with delight during some of the murder scenes and my friends refused to talk to me afterwards. It was a pleasure to see a Halloween film in theaters, especially one that mainly stayed true to the original series in plot, script, and even soundtrack. Let's start at the beginning.

I appreciate Zombie's attempt to give a clearer backstory to Michael, helping the audience almost to sympathize with him (Zombie would) while still showing his clearly ruthless, psychopathic side. Regardless of what we personally think, this film forces us to question: Nature or nurture?, not only in terms of Michael, but perhaps in the cases of actual serial killers. Zombie slightly overdoes the anything-but-healthy home environment that the young Michael comes from, what with a kind hearted stripper for a mother; an abusive, chauvinistic, recently handicapped, alcoholic stepfather-boyfriend-jerk figure; and a sexed-up, taunting, sleazy sister. The movie is [overly] chock-full of cursing, sexual references, and nudity— though I suppose that's where the horror movie might be headed today.

The soundtrack of this movie is pretty fantastic. While half of it seems straight out of Dazed and Confused (setting the '70s mood right from the start), there is also a modern feeling about the majority of the film; still, who could do without John Carpenter's haunting original musical theme?  Moreover, the inclusion of "Mr. Sandman" is a beautiful touch, taking careful viewers back to the original series.

I am so happy, as I was when I saw this in theaters, that Zombie kept many secondary characters the same as they were in the original. Laurie's friends always cracked me up, and while in this remake they are modernized and even more sexed-up (remember, premarital sex = death), the astute viewer will note, for example, things such as Lynda's constant usage of the word "totally," a beautiful homage to the original film's script and characterization. Also, what a treat it is to see Danielle Harris (from several of the original films) come back to the series all grown up. For all this and "Sandman," I would love to say thank you thank you thank you to Rob Zombie.

The whole mask motif is another way that Zombie attempts to add depth to our unstoppable killer, who, in his silence and behind a plain, emotionless face mask, is often left without emotions. Open a psychology textbook and you will see the whole development of young Michael feeling more comfortable "hidden" behind his masks gives the audience a clearer understanding of his psychosis as well as his choice of costume for the rest of the film. I did enjoy that the mask he wears when escaping from the mental hospital as it seems to resemble a jack-o-lantern. Very Halloween slasher-chic. Furthermore, the introduction of his iconic mask is done pretty nicely earlier in the film on the night that he kills his family.

Let's talk about the iconic mask. It's okay in this remake. It's not the best mask we've seen, but it certainly isn't the worst one either (think H20). I found myself able to accept how it was dirty, worn, cracked, and almost veiny. Still, I think it showed too much emotion for Michael, as compared to the original film. This wasn't helped by how much more sadistic Michael is made in this movie— lots of new, ingenious ways to kill people, and what was with him letting seemingly everybody keep crawling away? Since when did Michael Myers do that? I guess Zombie wanted to further demonstrate how Michael enjoys watching his prey suffer, but I can't say this is the true nature of the Michael we have come to know and love (in a terrified way, of course). Unfortunately, for all the time we are left watching Michael watch his victim's slowly crawl away (some even survive…), we have to deal with the fact that Michael's mask sometimes makes him look too contemplative or even confused, especially when he does that little cocked-neck thing. On a whole, the mask is still great.

More on Michael. He is pretty creepy in this film. I love how he lingers and lurks: outside windows, across the street, in dark hallways, and especially behind doors. I think some of the scariest scenes in horror movies are when we know the killer is just feet away from the next victim, waiting there, but the characters know nothing. Showing the killer in the background of a shot is one of the most thrilling tactics a horror movie can do. Very well done.

Unfortunately, I did not love Dr. Loomis in this movie. Throughout the original series I think Donald Pleasance does a pretty great job (minus the whiney "No! No! Noo!"s at the end of Halloween 4).  In this film, McDowell sheds a more negative light on Loomis, though this is certainly intentional on behalf of the creative team as we see the 'good' Doctor is also corrupted in his own ways: failed marriages, failure with Michael, receiving "blood money" from publishing a book about his work with Michael, etc. I think all the lines are there, but unfortunately McDowell just does not deliver.  

18-year-old Scout Taylor-Compton is pretty great as Laurie Strode. We watch as the young, virginal Laurie turns into a terrified and powerless yet willful female protagonist who must learn to fight back and perhaps even kill in order to survive. Obviously Zombie also wanted to explore more of her psyche, the interesting and no doubt scarring effects such an ordeal must have on its survivors…  I hate to admit I haven't seen the 2009 sequel, but I have heard that this film further explores not only Michael's, but also Laurie's mind after the events of this first film are over.

There was an interesting recurring theme I couldn't help but notice throughout this film that I wonder if Zombie was trying to stress. Michael Myers is an unstoppable killing machine, a masked catastrophe waiting to happen every year come October 31st, and although in some films we see him as a poor, even trapped soul ("Uncle!"), we can know no more about him. Since we know Zombie was exploring his background, psyche, and psychosis further in this film, I couldn't help but ignore the theme of homophobia. Michael grows up in a home where his abusive step-father-figure insinuates he's gay, his overly promiscuous sister taunts his sexuality, and only his mother is there to comfort him. At school he meets a similar fate, with the bullies constantly calling him gay through their own derogatory terms. Michael's vulnerability in the homophobic society he lives in is certainly a key factor in his ultimately snapping, as he first beats the bully to death (speak softly and carry a big stick), and then moves on to the members of his family who mocked him (and then some). Even as an adult, Michael's sexuality and potency are mocked first by the graveyard shift hospital guards, and then again by the extremely masculine trucker at the truck stop (none of whom meets a happy ending). When Michael is not killing, and especially when we see him as a patient, he does seem to be a confused, even gentle soul. Perhaps the stick, aluminum bat, and of course the iconic butcher knife each becomes the phallic source that allows him to demonstrate his own power over those who get in his way. Or perhaps Horror Buff is overanalyzing the situation and contexts.

*SPOILER ALERT*

I enjoy the more widespread panic and general killings in the original film, but the subtle terror (only known to the immediate victims, Loomis, Laurie, and the children—who are awesome child actors, by the way—is also moving. This film has a beautiful motif of contrast: The brutality of the inside hiding from the seemingly calm outside. Not only do we see this through the mask theme (Michael hiding his rage behind his mask), but until the very end of the film we fail to see any terror outside of the walls of any house or hospital. There are several terrific scenes in which, in the midst of sheer panic and murder inside a house, a character tries to escape outside, but Michael drags them back in and the door is slammed shut, leaving the viewer in the cold, quiet darkness of the street. The resulting inside vs. outside theme is brilliant. 

I can't say I'm happy about this film breaking one of my cardinal rules. The whole "rape hospital patients who can't defend themselves" thing was done in Kill Bill and it was disturbing then. I hate to say I think Zombie merely threw it in to this film for the sake of sexual brutality, perhaps to show the wickedness of the two male perpetrators who Michael proceeds to kill. We do not know what happens to the female patient, but I for one do not think Michael kills her. Furthermore I hold a personal vendetta against this film for breaking my cardinal rule, because I once promised a room full of friends that there would be no rape in any horror movie we watched, so as soon as this scene passed they had had enough, leaving the room (and probably horror movies in general) behind them.

Fun fact: Co-writer of the original film, Debra Hill, was born in Haddonfield, New Jersey, thus giving the Halloween franchise its classic location of Haddonfield, Illinois.  

Final critique: As far as remakes go, this one did its job and then some. There was great gore throughout the movie, even to the point that Horror Buff had to cringe (I will never look at aluminum baseball bats the same way again). The deaths are realistic, as far as I can only imagine certain deaths might go (twitching, etc), and this shows great progress since the cheap-o fake deaths of the '70s/'80s. With a scary and sturdy plot already set, Zombie was wise to not make any major changes but instead to add background to the story we have all come to know. The acting is great all around, except for Dr. Loomis, which I found to be a great let down as he is such a key figure in his Van Helsing-esque position. Overall, those who are squeamish or easily frightened should stay away. Stick to the original series for a good scare, and only once your stomach is stronger should you attempt to watch this remake (even then, consider keeping the lights on, windows closed, and friends close). Coming pretty highly recommended, this film was an excellent start to The Horror Blog's "Halloween" season.